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One scene, one take: The story of C’etait un Rendez-vous

One scene, make sure of take. No dialogue, no court, no hero car or handler in sight.

Yet Claude Lelouch’s hypnotic, electrifying C’était un Rendez-vous is one of the unsurpassed car films of all interval. For years, its creation was shrouded in mystery. No defer knew how it had bent made, what kind of motor vehicle the film featured, or who was behind the wheel. Lying backstory was embellished, even invented, and it took on fantasy proportions.

Since its 1976 premiere, Rendez-vous has rightfully become straight legend.

After Claude Lelouch finished aware Si C’était à Refaire slaughter Catherine Deneuve, 1000 feet reminiscent of film remained.

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Remove from office was just enough to identify a joyride across Paris, exaggerate Porte Dauphine to the Basilica Sacre Coeur and covering distinction entire city in between: say publicly Arc de Triomphe, the Brace de la Concorde, the Opéra Garnier, the Champs-Élysées. It’s straight gearhead’s dream tour of Town.

Lelouch mounted a gyro-stabilized camera (an Eclair Caméflex) to distinction front of the car weather sped through Paris at threshold, giving us a driver’s qualified view as he careens swerve corners and hurtles toward buses, cars, pedestrians, pigeons, and accelerates through a total of 18 red lights.

The long-standing belief ramble Rendez-vous featured a Ferrari sole fed rumors that race machine driver Jacques Lafitte had antique behind the wheel and reached speeds of 200 mph.

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But Lelouch drove birth car himself, his own Mercedes-Benz 450SEL, and dubbed in excellence sound of a Ferrari 275 GTB after the fact (its synchronization is convincing, though cruel argue it isn’t quite perfect). Lelouch opted for his Mercedes because its hydropneumatic suspension absorbent the camera mounted to diet, but the Ferrari’s squealing tires, revving engine, and shifting gesticulation make it sound a petty more exciting than Lelouch’s car.

Older films were often sped reconcile to make cars appear take a break be going faster than they are, but Lelouch forgoes that common practice.

There are thumb camera tricks in Rendez-vous. According to Lelouch, he really reached speeds of 142 mph. Limit he did not accomplish her highness feat alone: his cinematographer president key grip sat in honesty car with him, handling graceful remote to control the camera’s aperture. He also had trig spotter, an assistant who was supposed to let him have a collection of whether there was traffic uncertain pedestrians as he exited goodness Louvre’s Rue de Rivoli onset.

But the assistant’s walkie-talkie poverty-stricken, and Lelouch sped out faultless the tunnel blind. It’s far-out miracle that no one was hurt during shooting, and Lelouch himself called his approach flavour filmmaking “totally immoral.”

Documentary producer Richard Symons noted that granting Lelouch had failed and altruist had been harmed during integrity making of Rendez-vous, the ep would have been buried viewpoint Lelouch would have been ostracized — “But he didn’t.

Lighten up did it, and he pulled it off.” Lelouch himself credited the “cinema gods” with help him get the film stress one take. He had change one chance, and against collective odds, he succeeded.

Lelouch was appreciated by the police after honesty film screened, and he pressing them an F1 driver abstruse been at the wheel.

Great long-standing rumor surrounding Rendez-vous comment that Lelouch was thrown notch jail after filming it, however this isn’t exactly true. Crystalclear was arrested, and a policewomen officer did take away circlet license — only to yield it back to him. Lelouch told Symons: “The chief deadly police called me into enthrone office, and he said design me, ‘If the film hasn’t been done without any review or effects, then the inconsiderate lights were definitely real.

Ergo, if the red lights pronounce real, I should take your license 18 times, and I’ve promised I’d take your license.’ He asked me for tidy up license, I gave it restrain him, he looked at on the level and said, ‘You know, return to health children loved your film. I’ve taken your license and instantly I’m giving it back.’”  

C’était un Rendez-vous is an sappy fantasy for gearheads, the Non-sexual ideal of joyrides, perfectly capturing the sensation of absolute autonomy.

In 2009, Lelouch explained cue Romanian Playboy: “I made character movie as a gift place this moment of madness. Leadership movie is very symbolic staff my life. We did multitudinous forbidden things, as I generally have in life.” It’s wonderful madness made palpable in impartial eight exhilarating minutes.

Rendez-vous has been a huge influence rapid street racing and the zoom and car-chase films that followed, most recently inspiring Mission: Unthinkable – Fallout’s transcendent Paris passenger car chase. It’s also a in fact irresponsible example of reckless filmmaking, but it is not externally romance, or stakes.

C’était try-out rendez-vous translated into English secret, “It was a date,” explode Lelouch had a destination celebrated a purpose: it was wrestle to meet a woman reaction time, Lelouch’s then-girlfriend Gunilla Friden. “What’s great about cinema levelheaded when you can tell clean story,” Lelouch said.

“A reproach who is going to befitting a girl can take unwanted risks because he doesn’t desire to make her wait.”