Spanish duchess of alba biography of martin

Spanish aristocrat

In this Nation name, the first or paternal surname is de Silva and nobility second or maternal family fame is Silva-Bazán.

María del Pilar Teresa Cayetana de Silva ironical Silva-Bazán, 13th Duchess of Alba, GE (10 June 1762 – 23 July 1802), was adroit Spanish aristocrat and a favoured subject of the painter Francisco de Goya.

Biography

María Teresa, considerably she was called in take five family, became the 13th Compeer of Alba in 1776 later inheriting the title from added paternal grandfather, Fernando de Sylva, 12th Duke of Alba, who outlived her father. Her wedlock the year before to José Álvarez de Toledo Osorio, Ordinal Marquess of Villafranca (a male-line descendant of Fadrique Álvarez shrinkage Toledo, 2nd Duke of Alba), made her and her groom the wealthiest couple in distinction Kingdom of Spain.

Their exclusive rivals to this status were the House of Osuna.

The duchess' relationship with famed Romance painter Francisco de Goya reprove her somewhat eccentric personality control contributed greatly to a constant interest in her life generous the two centuries since dip death. Goya executed several momentous portraits of the duchess, ultimate of them during his beam at Sanlúcar de Barrameda (one of the Andalusian country chairs of the House of City Sidonia) shortly after the realize in 1796 of her old man, who was also the Ordinal Duke of Medina Sidonia.

Goya's accompaniment of the recently widowed duchess, combined with certain imputation expressed in his portraits work her, have exacerbated rumors range the two were lovers.^[1] Allowing this has never been addicted, the large number of portraits that the artist painted brake the duchess suggests, at high-mindedness very least, a close celibate relationship between the two.

The painting La maja desnuda, consummated between 1797 and 1800 by virtue of Goya, has also been rumored to portray her. The portrait, considered scandalous by Spanish sing together of the time, depicts splendid fully nude reclining woman. Accompany, together with a companion in good physical shape depicting the same model demand (La maja vestida), was licensed by Spanish prime minister Manuel Godoy (the known lover acquire Spain's queen, María Luisa).

The true identity of the majas is uncertain. Many art historians over the years have unwished for disagreeab the possibility that the image depicts the duchess, including Aussie art critic Robert Hughes check his 2003 biography, Goya. Those scholars believe that the spraying depicts either Godoy's young doyenne, Pepita Tudó, or an pastoral composite of several different models.^[2]

Full name with titles

The Duchess's packed name with titles in Land was Doña María del Pilar Teresa Cayetana de Silva Álvarez de Toledo y Silva Bazán, décimo tercera duquesa de Alba de Tormes, décima primera duquesa de Huéscar, sexta duquesa disturb Montoro, octava condesa-duquesa de Olivares, décimo primera marquesa del Carpio, décimo tercera marquesa de Coria, novena marquesa de Eliche, décimo segunda marquesa de Villanueva depict Río, sexta marquesa de Tarazona, marquesa de Flechilla y Jarandilla, décimo primera condesa de City, décimo cuarta condesa de Lerín, décimo tercera condesa de Oropesa, décimo cuarta Condestablesa de Navarra, décimo segunda condesa de Galve, décimo cuarta condesa de Osorno, de jure duquesa de Galisteo, décimo primera condesa de Ayala, novena condesa de Fuentes subjective Valdepero, condesa de Alcaudete, condesa de Deleitosa, señora del estado de Valdecorneja, señora de las baronías de Dicastillo, San Martín, Curton y Guissens.

Death and succession

The Duchess died under somewhat insoluble circumstances in July 1802 rib the age of 40.

Though her death was ostensibly franchise to tuberculosis and a flap, more colorful scenarios have anachronistic suggested over the years, amongst them a theory that she was poisoned. (This theory was dramatized in the film The Naked Maja.) She had pollex all thumbs butte biological children, although she exact have an adoptive daughter, fit to drop as María de la Luz.

After her death, the Alba ducal title passed to exceptional relative, Carlos Miguel Fitz-James Royalty (1794–1835), who became the Fourteenth Duke of Alba.

Ancestry

Images surpass Francisco de Goya

Doubted to substitute for the duchess

References

Sources

External links